Open call for Helsinki Butoh Festival
Helsinki Butoh Festival will be organized for the sixth time this year.
Festival will take place from 16’th till 19’th of October.
Performers and teachers will get the ticket sale devided. For performances the maximum length is 20 minutes, teaching sessions will be 2 hours long.
Please note when applying for teaching that we require a long experience in teaching butoh.
When applying, please answer following questions:
1. Your background in butoh (experience in years, most important teachers/groups)
2. Your CV
3. Name and information of the performance/ workshop you would like to present in the festival
4. Video link to your performance/ earlier performances (do provide a videolink to your webbage/vimeo/youtube as we can not download videos in other form
Please note that application period is soon, deadline is till 20’th of August.
Confirmation to the chosen performers/ teachers will be send till 1’st of September.
Rejections will not be commented.
Send application to helsinkibutohfestival(at)gmail.com.
This year choises will be made by Minja Mertanen, artistic director of the festival.
Origins of Butoh
Butoh is an art form that was born out of collaboration between Japanese artists in the 1950's of whom most notorious are Tatsumi Hijikata and Kazuo Ohno. Beginning of Butoh was marked by Hijikata's solo performance "Forbidden Colour" in 1959. It was a ritualistic act that explored homosexuality and the inner darkness and eroticism of human beings. The performance shocked the Japan Modern Dance Association and the audience.
Hijikata had been deeply impacted by Ohno's performance in 1949 in Tokyo. In 1950's their collaboration and mutual influence on each other seeded the creation of Butoh. Ohno’s performance "The Old Man and the Sea" in 1959 that was directed by Hijikata and based on Ernest Hemingway’s novel also marked the beginning of Butoh.
Both Hijikata and Ohno studied German expressionist dance and were influenced by the heretical French literature, underground theater, Dadaism, Surrealism, Shintoism, Zen, and ideas of traditional Japanese performing arts such as Kabuki and Noh theater. Japanese aesthetics lurks at the root of Butoh and remains an aspect of it.
Butoh was first introduced overseas by Yoko Ashikawa and Min Tanaka, who were invited to participate in the "MA-Space / Time in Japan" exhibition in Paris in 1978. In the same year, the Ariadone no Kai (Carlotta Ikeda, Ko Murobushi and dancers) performed successfully in Paris. After that, groups and artists such as Sankai Juku and Kazuo Ohno were invited one after another, and Butoh spread from France to the world. Butoh has been a great influence on the theater and contemporary dance as well as for therapists, philosophers, psychologists, poets, painters, sculptors, visual artists, musicians, and also the general public in the world.
In the 90's Anzu Furukawa and Masaki Iwana visited Finland for teaching and performances. In particular Ken Mai, based in Helsinki, has been actively introducing Butoh in Finland also to the world since 2006 to the present. Minja Mertanen has been teaching Butoh in Finland and other countries since 2005.
But what is Butoh?
The question to answering “what is butoh" is a question every butoh artist is asking of him/herself once and once again.
So here are some words from some butoh teachers.
Hijikata said Butoh is not expression of acting, it is expression of metamorphosis. We become something else. We expand human concept to the nature.
For Kazuo Ohno talking about butoh said soul is leading the physical body, for Hijikata it was the opposite; Body is leading the soul.
For Ken Mai Butoh is sacred sex.
Pasi Mäkelä, Finnish butoh artist said: “Butoh is a potato but dance.”